The oboe, which first came into being in the middle of the seventeenth century in France, underwent a number of changes throughout the following century. French instruments were influenced both by local practices and by the introduction of influences from other parts of Europe. The background of the makers of these instruments as well as the physical properties of the oboes help to illuminate the development of the instrument during this period. The examination of measurements, technical drawings, photographs, and biographical data clarify the development and dissemination of practices in oboe building throughout eighteenth-century France. This clarification provides new insight into a critical period of oboe development which has hitherto not been exclusively addressed.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc2812 |
| Date | 05 1900 |
| Creators | Cleveland, Susannah, 1972- |
| Contributors | Adkins, Cecil, Bush, Deanna D., Veazey, Charles O. |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | Text |
| Rights | Public, Copyright, Cleveland, Susannah, Copyright is held by the author, unless otherwise noted. All rights reserved. |
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