The objective of the dissertation is to examine Cyril Scott's musical language as exhibited in his Piano Sonata, Op. 66. Subjects of discussion include Scott's use of form, rhythm, melody, tonality, and harmony. Also included are a biographical sketch of the composer and his philosophical view of modernism. A comparison of the original version and the revised edition of this sonata, as well as references to Cyril Scott's two other piano sonatas are also included during the examination of his harmonic and rhythmic style.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc277674 |
| Date | 05 1900 |
| Creators | Cheung, Ching-Loh |
| Contributors | Paul, Pamela Mia, Dworak, Paul E., 1951-, Harlos, Steven, 1953-, Painter, William E. |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | x, 55 leaves: music, Text |
| Rights | Public, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved., Cheung, Ching-Loh |
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