1.1 ABSTRACT This dissertation focuses on the role that the mass produced image (e.g. lithographs, photographs, and cinema) played in the creation and solidification of Slovak national and ethnic identity not only among Slovaks living in Slovakia, but also Slovaks living abroad in America from the 19th to the mid-20th centuries. Given the problems inherent in using the written Slovak language to form a sense of national and ethnic unity, Slovak culture drew widely on visual sources that could be rapidly reproduced, easily transmitted in Slovakia and abroad, and were affordable to a wide variety of social and economic classes. This dissertation also focuses on some of the problems of this approach which will require further study and examination. Keywords: Slovakia, Slovak nationalism, ethnic identity, photography, lithography, cinema, ethnography, mass media,
Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:415036 |
Date | January 2020 |
Creators | Hudac, Nicholas |
Contributors | Heczková, Libuše, Dudková, Jana, Bernard, Jan |
Source Sets | Czech ETDs |
Language | English |
Detected Language | English |
Type | info:eu-repo/semantics/doctoralThesis |
Rights | info:eu-repo/semantics/restrictedAccess |
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