This master's thesis is devoted to the changes of Miloš Forman's media image, more precisely how period press noticed both his career and work. Miloš Forman is the most acknowledged and most famous czech film director. His story is connected with story of czech cinematography and story of its changes. The thesis wants to find out, why Forman wasn't destroyed even though he left the country, despite his emigration. It is trying to prove that his media image never been strictly negative and Forman itself never became taboo. Forman's person is beyond all standards. He is proof, that if the work is not strong crtitical against regime, it arouses respect despite all the ideology. He was reflected in the various stages, but still in relatively good light. The thesis examines the perception of the media in three life stages: work in Czechoslovakia before going to the United States, working abroad and finally after the Velvet Revolution. Although Forman has participated in many films, thesis focused only on his feature-length work. And because Miloš Forman is a person who transcends the borders of Czechoslovakia, or the Czech Republic, media abroad reflected his career as well, althought the view there was slightly different from the domestic one.
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:398098 |
| Date | January 2019 |
| Creators | Řápek, Jan |
| Contributors | Šobr, Michal, Novotný, David Jan |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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