<p>This thesis is about the interaction between composition, notation and interpretation and what occurs between the fields with an extended notation.</p><p>The purpose of my thesis is to examine the possibilities to</p><p>thoroughly describe and map the sounding samples through composition prototypes.</p><p>The thesis has a qualitative approach, and the empirical material consists of different documents about notation and from interviews with musicians and students about the instruments used in the thesis.</p><p>It also consists of 17 compositions recorded at Örebro University School of Music as an appendix.</p><p>The analysis shows that the context in which the symbols are found, play an important role in performing them. It also shows that the performers are rooted in a traditional way of performing.</p>
| Identifer | oai:union.ndltd.org:UPSALLA/oai:DiVA.org:oru-1746 |
| Date | January 2006 |
| Creators | Flodin, Anders |
| Publisher | Örebro University, |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, text |
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