This thesis is about the interaction between composition, notation and interpretation and what occurs between the fields with an extended notation. The purpose of my thesis is to examine the possibilities to thoroughly describe and map the sounding samples through composition prototypes. The thesis has a qualitative approach, and the empirical material consists of different documents about notation and from interviews with musicians and students about the instruments used in the thesis. It also consists of 17 compositions recorded at Örebro University School of Music as an appendix. The analysis shows that the context in which the symbols are found, play an important role in performing them. It also shows that the performers are rooted in a traditional way of performing.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:oru-1746 |
| Date | January 2006 |
| Creators | Flodin, Anders |
| Publisher | Örebro universitet, Musikhögskolan |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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