論文提要內容：
本篇論文旨在探討安•瑞克麗芙之《烏多夫堡秘辛》中十八世紀女性如何藉改造自身特質，逆轉身處不平等的劣勢。同時並引用瑪麗•烏爾史東考夫特的自由女性主義來分析小說文本。在小說中，瑞氏藉由女主角的冒險故事來剖析十八世紀的女性如何在父權社會中抗拒屈從，堅持自我存在的價值和追尋個人幸福。
本論文共分為五章。第一章概述瑞氏生平背景、作品特性、本小說之寫作背景、古今評論對本小說之評價，以及分析本文所應用的理論。第二章與第三章側重瑞氏對十八世紀之「感性」（sensibility）的分析。註1瑞氏在小說中以許多篇幅描寫「感性」對當時女性的深遠影響，並探討其正、反兩面的價值。有鑑於此，第二章討論瑞氏對「感性」強化女性膚淺、非理性等負面特質的批判。第三章探討瑞氏如何運用「感性」中知性、理性、利他三種正面價值來改變女性軟弱無能的特質。第四章乃瑞氏在小說中對於女權和女性獨立自主觀點之分析。最後一章為結論兼及小說寫作和瑞氏作品的貢獻。 / Abstract
In The Mysteries of Udolpho Ann Radcliffe describes the story of a young, middle-class woman. She illustrates how the innocent, sensitive protagonist fights against oppression, defends her value and finds her own happiness in the male dominated world. By describing the protagonist’s opposition to subordination, Radcliffe points out the necessity of changing women’s manners. The writer of this thesis explores Radcliffe’s concern with the social inferiority of women in The Mysteries of Udolpho. The writer also applies Mary Wollstonecraft’s liberal feminist thought in her discussion of Radcliffe.
This thesis is divided into five chapters. The first chapter is a general introduction. It includes Ann Radcliffe and her works, the critical response, the theory employed in the textual analysis, namely Wollstonecraft’s liberal feminist thought and an overview of the eighteenth-century sensibility. The second chapter focuses on Radcliffe’s attack of the false sensibility and how it distorts the nature of women. The third chapter centers on the virtuous sensibility and how it functions as the power to reverse women’s social inferiority. In the fourth chapter, the stress will be laid upon issues of marriage, property and the meaning of independent women. The concluding chapter discusses the contribution of Radcliffe as novelist.
| Identifer | oai:union.ndltd.org:CHENGCHI/G0087551008 |
| Creators | 李政慧, Li, Zheng-hui |
| Publisher | 國立政治大學 |
| Source Sets | National Chengchi University Libraries |
| Language | 英文 |
| Detected Language | English |
| Type | text |
| Rights | Copyright © nccu library on behalf of the copyright holders |
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