<p> This thesis explores Japanese society through the lens of cultural hybridity and liminality to understand the shift towards nonconformity and hyper-individualism among post-postwar Japanese. This shift reflects an important point in Japan's transculturation process whereby post-postwar Japanese have developed a cultural hybridity of inbetweenness (liminality) juxtaposing their native Japaneseness (<i>wakon</i>) against their adopted Westernness (<i>y<span style="text-decoration:overline"> o</span>kon</i>). This <i> wakon-y<span style="text-decoration:overline">o</span>kon </i> hybrid construct is posing a challenge to Japan's longstanding hybrid modernity philosophy of <i>wakon-y<span style="text-decoration:overline"> o</span>sai</i> (Japanese spirit- Western things), which perpetuated the pre-modern core values and collectivist ethics of Japaneseness for nearly 150 years below its façade of Western modernity. The dilemma inherent in Japan's <i>wakon-y<span style="text-decoration:overline"> o</span>kon</i> in-betweenness is foreshadowed in the pioneering works of Abe K<span style="text-decoration:overline">o</span>b<span style="text-decoration:overline"> o</span> and Murakami Haruki, who both illuminated the conflicting juxtaposition of the core values and ethics of Japaneseness (wakon) and <i>seken</i>-Other (the jury-surrounding- the-Self) against the pursuit of the individualist ethics of Westernness (y<span style="text-decoration:overline"> o</span>kon) and Selfhood (<i> shutaisei)</i> within their imaginaries. </p>
Identifer | oai:union.ndltd.org:PROQUEST/oai:pqdtoai.proquest.com:1527481 |
Date | 15 April 2014 |
Creators | Dovale, Madeline J. |
Publisher | California State University, Long Beach |
Source Sets | ProQuest.com |
Language | English |
Detected Language | English |
Type | thesis |
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