Return to search

The changing representation of women in Michael Ondaatje's prose /

Criticism of Michael Ondaatje's prose emphasizes the author's deconstruction of familiar binary oppositions as he challenges history and authority. The criticism, however, neglects the opposition between men and women. This omission is surprising, considering the remarkable transition in the representation of women throughout Ondaatje's prose. Women in The Collected Works of Billy the Kid (1970) and Coming Through Slaughter (1976) are objectified: lacking the tools for self-representation, the women are framed as sites of sexuality, negativity, and darkness. In Running in the Family (1982), however, the narrator finds community with female family members, recognizing in himself the penchant for storytelling of his female relatives. Running bridges the earlier texts with the later In the Skin of a Lion (1987), where the narrator grants a more complex subjectivity to the women, empowering them with ability equal to that of men to take "responsibility for the story"(Skin 157).

Identiferoai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.68138
Date January 1993
CreatorsThomson, Tracey
ContributorsTreLearne, Brian (advisor)
PublisherMcGill University
Source SetsLibrary and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada
LanguageEnglish
Detected LanguageEnglish
TypeElectronic Thesis or Dissertation
Formatapplication/pdf
CoverageMaster of Arts (Department of English.)
RightsAll items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated.
Relationalephsysno: 001397479, proquestno: AAIMM94394, Theses scanned by UMI/ProQuest.

Page generated in 0.0022 seconds