The concert arias of Mozart are probably among the least known works of this genius among composers, yet they
represent no small part of his musical output and are scattered throughout every period of his life. He composed a total of fifty-seven in all, the first when he was only nine years old and the last one in the final year of his life. Mozart's fifty-seven concert arias are divided among the four voice groupings as follows: one for alto, eight for bass, ten for tenor and thirty-eight for soprano. Of these soprano arias one (K. 569)l is lost and two (K. 307 and K. 308) are merely ariettas on French texts. It is with the eighteen arias for normal male voice that this discussion will be primarily concerned; arias for the castrati voice will not be considered.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc699739 |
| Date | 08 1900 |
| Creators | Smith, Charles Temple |
| Contributors | Ottman, Robert W., Dorn, Gerhardt George, 1911- |
| Publisher | North Texas State College |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | iii, 64 leaves, Text |
| Rights | Public, Smith, Charles Temple, Copyright, Copyright is held by the author, unless otherwise noted. All rights |
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