In this work, the author aims to trace some of the transformative effects of televisual technologies in contemporary post-industrial culture, and to critically assess their impact on the way knowledge is produced, and experience a sense of embodiment and social agency. The relation between humans and tools is questioned, and the hybridity of words such as technoculture and biotechnology is investigated, arguing that the separation of human and technology,and body and tool, at the level of both existence and knowledge is a synthetic distinction. Specifically, the author concentrates on some of the medium specific effects of postclassical visualising technologies, from high-end ensembles such as virtual reality and medical imaging apparatuses, to the mundane apparatus of television and the remote control device. Such ways of seeing, it is argued, collaborate in producing an emergent tele-body, or a telesomatic mode of perception and knowing which exceeds standard epistemologies of vision in both science and the everyday. This work thus aims to develop a theoretical and conceptual framework for understanding the variable effects of postclassical technovision and televisuality upon our modes of embodiment. / Doctor of Philosophy (PhD)
| Identifer | oai:union.ndltd.org:ADTP/182269 |
| Date | January 2003 |
| Creators | Richardson, Ingrid, University of Western Sydney, College of Arts, Education and Social Sciences |
| Source Sets | Australiasian Digital Theses Program |
| Language | English |
| Detected Language | English |
| Source | THESIS_CAESS_XXX_Richardson_I.xml |
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