Vave is generally defined as a corpus of agricultural songs as they are sung and performed by Bajuni farmers - an ethnic subgroup of the Swahili - on the eve of burning the bush, a stage of slash and burn cultivation. Although the song’s main theme is agriculture and each cultivation step in particular is given attention, an analysis of the aesthetics of Vave from the viewpoint of oral literature unearths the secret and sacred dimension of Vave performance. Death, bereavement, resurrection, and spirituality are, besides agricultural cultivation, the basic aspects of the Vave. Indeed the Vave performance may be more correctly recognised as an ancient religious
rite which has ancestral worship as a central issue. Although the worship of ancestors is irreconcilable with the Islamic belief system, Vave is still performed by the Muslim Bajuni farmers today. This essay attempts to outline in which way the ancestors are annually remembered, revived or actualised in the present by Bajuni farmers through the performance of an oral tradition.
| Identifer | oai:union.ndltd.org:DRESDEN/oai:qucosa.de:bsz:15-qucosa-90879 |
| Date | 16 August 2012 |
| Creators | Mahazi, Jasmin Anna-Karima |
| Contributors | Freie Universität Berlin, Institut für Ethnologie, Universität Mainz, Institut für Ethnologie und Afrikastudien |
| Publisher | Universitätsbibliothek Leipzig |
| Source Sets | Hochschulschriftenserver (HSSS) der SLUB Dresden |
| Language | English |
| Detected Language | English |
| Type | doc-type:article |
| Format | application/pdf |
| Source | Swahili Forum 17 (2010), S. 82-90 |
Page generated in 0.0032 seconds