This diploma thesis deals with Václav Vlček, a Czech prominent author of the second half of the 19th century (1839-1908), and his dramatic production. The introduction contains the information concerning the author himself, his social status, and Czech cultural life of that time. The attention is paid to two most interesting art disputes he was in with the forthcoming young modernist generation. Then we will primarily focus on his dramatic production, his historical tragedies, comedies and psychological plays. We will try to analyse common features in his drama, focusing mainly on his heroines modelled on the basis of Romantic heroines, and the characters of rulers who are depicted as saints and therefore lose all their dramatic nature due to their faultlessness. Next chapter is devoted to a partial reconstruction of the form of Vlček's plays performed in the Prozatímní divadlo (The Prague Provisional Theatre) and the National Theatre. Rare extant material, especially the two stage books and a prompt book, will be used. The chapter also describes criticism of that time, mainly the two most significant critics, Jan Neruda and Josef Durdík. By means of textual examples we will try to analyse Vlček's dramatical language which was very similar to the language of many of his speeches and proclamations. The aim...
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:313962 |
| Date | January 2011 |
| Creators | Tauchenová, Tereza |
| Contributors | Topolová, Barbara, Janoušek, Pavel |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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