Incorporating the live human body into a work of art involves additional risks that go beyond those normally associated with presenting three dimensional art objects and two dimensional works. Taking these added physical hazards into account, this research project has further developed the idea and experience of risk in performance art, incorporating fibre tectile forms, to intensify and extend the performers' corporeal presence. By focusing on potentially threatening forces that are played out in the performance of the face and the mouth, risk becomes an underlying and potent strength. / Thesis (MVisualArtsbyResearch)--University of South Australia, 2008.
| Identifer | oai:union.ndltd.org:ADTP/266976 |
| Creators | Patterson, Linda. |
| Source Sets | Australiasian Digital Theses Program |
| Language | English |
| Detected Language | English |
| Rights | copyright under review |
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