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La representación de la migración en cuatro películas peruanas de los ochenta

In this thesis I develop the notion of discursive instance applied to the internal migrant’s prominent role in Peruvian film. Through an analysis of film production during the eighties, I demonstrate that urban film reveals the crisis of the predominance of creole subjectivity within a cultural homogeneity. In opposition to this, it shows a heterogeneous process where the migrant referent, although part of the new urban context, belongs to a different cultural universe than that of its enunciator.

Identiferoai:union.ndltd.org:uottawa.ca/oai:ruor.uottawa.ca:10393/24054
Date January 2013
CreatorsSalinas Martínez, Pablo Manuel
ContributorsGastón Lillo
PublisherUniversité d'Ottawa / University of Ottawa
Source SetsUniversité d’Ottawa
LanguageSpanish
Detected LanguageEnglish
TypeThesis

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