The present dissertation consists in an original composition for solo piano, titled Seven Nocturnes (2020). The score is preceded by a critical essay in which I discuss the overall aesthetic and formal qualities of the work, its musical, philosophical, theoretical, and historical background, as well as specific performance suggestions for future interpreters. Particular emphasis is given to the work's experimental use of musical time and original approach in relating expanded time with directional harmony.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc1808367 |
| Date | 05 1900 |
| Creators | Schwan, Thomas, 1985- |
| Contributors | Paul, Pamela Mia, Klein, Joseph, 1962-, Harlos, Steven, 1953- |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | v, 56 pages : music, Text |
| Rights | Public, Schwan, Thomas, 1985-, Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved. |
| Relation | Recital: April 18, 2016, ark:/67531/metadc1614878, Recital: April 18, 2017, ark:/67531/metadc2099690, Recital: November 8, 2017, not yet digitized, Lecture recital: October 6, 2020, ark:/67531/metadc1811168 |
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