Busoni's contribution to the art of the piano transcription is formidable. His chorale prelude transcriptions make him responsible for giving over to the piano repertoire a small portion of sacred literature. His special admiration of J. S. Bach, evidenced throughout his life, make Busoni's transcriptional practices all the more significant. Bach himself was a prolific transcriber of his own works and the works of others. This paper presents a brief history of keyboard transcriptional practices, emphasizing Busoni's methods by comparing the original works for organ with the transcriptions for piano. Four chorale preludes form the basis for this study: Ich ruf' zu dir, Herr Jesu Christ (BWV 639), Komm, Gott, Schopfer, Heiliger Geist (BWV 667), Nun komm' der Heiden Heiland (BWV 659), and In dir ist Freude (BWV 615).
Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc330879 |
Date | 08 1900 |
Creators | Lauderdale-Hinds, Lynne Allison |
Contributors | Banowetz, Joseph, Brothers, Lester Dwayne, 1945-, Walz, Larry G. |
Publisher | North Texas State University |
Source Sets | University of North Texas |
Language | English |
Detected Language | English |
Type | Thesis or Dissertation |
Format | xi, 32 leaves : music, Text |
Rights | Public, Lauderdale-Hinds, Lynne Allison, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved. |
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