The loss of personal meaning is explored by analogy through manipulation
of the relationship between musical content and its possible
interpretations. Recognized musical signals are used out of context.
Weightless signals are used in absolutely rigid and unified structures.
These approaches were brought to the stage before a
live audience in a
single recital on March 6, 1994. / Arts, Faculty of / Music, School of / Includes 1 sound cassette / Graduate
| Identifer | oai:union.ndltd.org:UBC/oai:circle.library.ubc.ca:2429/5441 |
| Date | 11 1900 |
| Creators | McKittrick, J. Cameron |
| Source Sets | University of British Columbia |
| Language | English |
| Detected Language | English |
| Type | Text, Thesis/Dissertation |
| Format | 3382700 bytes, application/pdf |
| Rights | For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use. |
Page generated in 0.0021 seconds