The subject of this dissertation is female self-portraiture in Australia of the interwar years, 1918 to 1939. The primary concern of this thesis is to consider self-portraiture as a conceptual process. Self-portrayal is understood as an act of cultural invention rather than an unmediated access to an essential core self. It is this invention and what is entailed in the process of self-imagining, rather than any formal analysis of the style, which is of greatest concern. (For complete abstract open document)
| Identifer | oai:union.ndltd.org:ADTP/245124 |
| Creators | Williams, Kristina Eleanor |
| Source Sets | Australiasian Digital Theses Program |
| Language | English |
| Detected Language | English |
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