While the majority of literature written in regard to artist Romaine Brooks has focused on her portraiture of cross-dressing women, I intend to focus on other aspects of her oeuvre which are often neglected. Therefore, I will examine works depicting women produced or exhibited by Brooks during the years 1910 and 1911 when her output was at its most varied. I have divided these works into four different categories: nudes, interior scenes, balcony scenes, and portraits. These paintings prove that while Brooks painted in a traditional fashion, she also subtly challenged the role of women in art and society.
| Identifer | oai:union.ndltd.org:GEORGIA/oai:digitalarchive.gsu.edu:art_design_theses-1022 |
| Date | 21 April 2008 |
| Creators | Ensor, Ronda Lea |
| Publisher | Digital Archive @ GSU |
| Source Sets | Georgia State University |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Art and Design Theses |
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