<p>Some works of fiction by Puerto Rican authors present characters that have one surprising characteristic in common: a void of individuality. What would constitute the core of these personae has been displaced to the point of annihilation by the neo-colonial political system which the U.S. maintains over Puerto Rico. The works studied in this masterâs thesis represent an attempt by the islandâs inhabitants to describe the lasting consequences of the relationship between master and slave, which is a fundamental part of the current political status of the island, through fiction. The texts, written between 1965 and 2012, use different methods to articulate the effect that modern colonialism has on Puerto Ricans. The first works studied, <i>Down These Mean Streets</i> (1967) and <i>Seven Long Times</i> (1974) by Piri Thomas, along with <i>Short Eyes</i> (1975) by Miguel Piñero, establish a literary dialogue with the famous <i>Autobiography of Malcolm X</i> (1965) to demonstrate the impossibility of âconversionâ, religious or otherwise, in the micro-society in penitentiaries, even though conversion is arguably the fundamental goal of prisons. The second chapter performs an in-depth analysis of the science fiction novel <i>Exquisito cadáver</i> (2001) by Rafael Acevedo, using the psychoanalytic theory of Julia Kristeva as presented in <i>New Maladies of the Soul</i> (1995), to show how the characters suffer from one of these maladies. In the third chapter, <i>The Head</i> (2005), <i>Trance</i> (2007) and <i>Wicked Weeds: A Zombie Novel</i> (2010), novels written by Pedro Cabiya, along with the first issue, âHambreâ (2012), of the graphic novel <i>Las extrañas y terribles aventuras de Ãnima sola</i> by the same author, use Zombie characters (both voodoo Zombies and âPhilosophical Zombiesâ) to emphasize the condition of absence of self amongst Puerto Ricans. These island authors have highlighted, via different means, the same problems with the same root cause: the neo-coloniality of Puerto Rico.</p>
<p>Algunos textos de ficción por autores puertorriqueños presentan personajes que tienen una caracterÃstica sorprendente en común: un vacuo de individualidad. Lo que constituirÃa el meollo de estos personajes ha sido desplazado hasta la aniquilación por el sistema polÃtico neo-colonial mantenido por los EE.UU. en que se encuentra Puerto Rico. Las obras estudiadas en esta tesis de maestrÃa son un intento boricua de detallar a través de la ficción las consecuencias duraderas de la relación entre amo y siervo, la cual es parte fundamental del estatus polÃtico actual de la isla. Los textos, escritos entre 1965 y 2012, usan métodos diferentes para articular el efecto del colonialismo moderno sobre los puertorriqueños. Las primeras obras estudiadas, <i>Down These Mean Streets</i> (1967) y <i>Seven Long Times</i> (1974) de Piri Thomas, junto con <i>Short Eyes</i> (1975) de Miguel Piñero, entran en discusión con la célebre <i>Autobiography of Malcolm X</i> (1965) para demostrar la imposibilidad de la âconversiónâ, ya sea religiosa o social, en la microsociedad de la prisión, a pesar de que ésta sea la meta fundamental de la institución penitenciaria. El segundo capÃtulo analiza detalladamente la novela de ciencia ficción <i>Exquisito cadáver</i> (2001) de Rafael Acevedo, usando como base la teorÃa psicoanalÃtica de Julia Kristeva en <i>Las nuevas enfermedades del alma</i> (1995) para demostrar cómo los personajes en la novela padecen de una de estas enfermedades. En el tercer capÃtulo, <i>La cabeza</i> (2005), <i>Trance</i> (2007) y <i>Malas hierbas</i> (2010), novelas escritas por Pedro Cabiya, y el primer número, âHambreâ (2012), de la historieta <i>Las extrañas y terribles aventuras de Ãnima sola</i> por el mismo autor, utilizan personajes Zombis (tanto Zombis del vudú como Zombis filosóficos) para destacar la condición de ausencia de ser. Estos autores isleños enfatizan en formas diferentes los mismos problemas con la misma raÃz: la neo-colonialidad de Puerto Rico.</p>
Identifer | oai:union.ndltd.org:VANDERBILT/oai:VANDERBILTETD:etd-07022017-223253 |
Date | 14 August 2017 |
Creators | Parodi, Marco Massimo |
Contributors | José Cárdenas-Bunsen, Benigno Trigo |
Publisher | VANDERBILT |
Source Sets | Vanderbilt University Theses |
Language | English |
Detected Language | English |
Type | text |
Format | application/pdf |
Source | http://etd.library.vanderbilt.edu/available/etd-07022017-223253/ |
Rights | unrestricted, I hereby certify that, if appropriate, I have obtained and attached hereto a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to Vanderbilt University or its agents the non-exclusive license to archive and make accessible, under the conditions specified below, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report. |
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