This thesis focuses on the issue of regional authenticity in Barry Hannah's contemporary southern fiction (1970-2010), in the context of some recent concerns about the validity of regional studies in a postregional moment, and about the efficacy of the authenticity paradigm itself. By examining those Hannah narratives that best encourage some rethinking of conceptual understandings of the post- South and postsouthern literature, this thesis reveals the significant contribution that Hannah's fiction can make to critical apprehensions of the region as an evolving field of enquiry. The metafictional dimension of Hannah's writing is testimony to its unique value, because the putative sense of "southernness" his stories appear to dramatize is complicated by an intense self-reflexivity about the ways in which a sense of place has never been foundational or essential but has always been constructed and performed. Deploying sustained close analyses of the best of Hannah's fiction (the kind of attention it has conspicuously lacked), this thesis argues that the region is constantly (re-)emerging in a process of myth-making, dialogue and performance, rather than having suffered some simple historical shift from southern to postsouthern. Understanding Hannah's fiction in the ways presented is to offer the possibility of some revision in thinking, about whether the concepts "South" and "southern" have survived both the deconstructive and postregional turns of the late twentieth century, and the transnational turn into the "new" southern studies from the early twenty-first century onward. The Hannah texts included here are identified exclusively for their value in reconceptualising those issues in recent southern studies where an impasse is imagined between regional ("southern") and global ("postmodern"), to suggest it is wholly conceivable to "have it both ways."
| Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:764087 |
| Date | January 2018 |
| Creators | Chadd, Clare Elizabeth |
| Contributors | Millard, Ken ; Hughes, Keith |
| Publisher | University of Edinburgh |
| Source Sets | Ethos UK |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Source | http://hdl.handle.net/1842/33264 |
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