This dissertation maps a proto-poststructuralist tradition and fuses a subsequent methodology with/in a practice derived from performance studies to uncover a spatially informed corporeal notion of subjectivity. Combining the cultural and historically radical motility of the street skateboard and precursory surfboard with an ambulatory interpretation of radical political philosophy and subjectivity this work explores, through the lens of a drifting practitioner, a quotidian routine in The Commute, and a distinctly urban practice, in The Skateboard Dérive. Functioning as case situations these performance events are used to elaborate, produce, and apply a drifting approach to critical spatial inquiry through the recognition of four elemental notions: drifting, situating, becoming, and fragmenting.
| Identifer | oai:union.ndltd.org:siu.edu/oai:opensiuc.lib.siu.edu:dissertations-1653 |
| Date | 01 December 2012 |
| Creators | Fine, Hunter Hawkins |
| Publisher | OpenSIUC |
| Source Sets | Southern Illinois University Carbondale |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Dissertations |
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