Student Number : 9803476V -
MA research report -
School of Arts -
Faculty of Humanities / By drawing on contemporary scholarship that addresses spectatorship in the cinema generally, and in the horror genre specifically, I analyze the perverse pleasure afforded by The Blair Witch Project. To do this I argue that pleasure in horror is afforded through the masochistic positioning of the viewer, especially in relation to psychoanalytic theories surrounding gender in spectator positioning. I also look at the way the film re-deploys conventions, both documentary conceptions of the ‘real’, as well as generic expectations of horror, to activate the perverse pleasure of horror.
| Identifer | oai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:wits/oai:wiredspace.wits.ac.za:10539/1799 |
| Date | 16 November 2006 |
| Creators | Hayter, Tamiko Southcott |
| Source Sets | South African National ETD Portal |
| Language | English |
| Detected Language | English |
| Type | Thesis |
| Format | 390949 bytes, 11515 bytes, application/pdf, application/pdf, application/pdf, application/pdf |
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