“Red classics” generally refer to a collection of Chinese literary works produced from the late 1940s to the mid-1960s. Many of them were remade to film, opera, and television series in different periods. One of the “red classics” was the semi-autobiographical military romance Tracks in the Snowy Forest by Qu Bo. This novel and its many adaptations have been popular for more than half a century. This thesis takes Tracks in the Snowy Forest as a case study to explore how socialist “red classic” works have been “de-revolutionized,” reinvented for a new age and a new audience as products for popular consumption in post-Mao China, as compared to the sterner revolutionary works of the Mao era. / Graduate
Identifer | oai:union.ndltd.org:uvic.ca/oai:dspace.library.uvic.ca:1828/9887 |
Date | 10 August 2018 |
Creators | Wang, Liying |
Contributors | King, Richard |
Source Sets | University of Victoria |
Language | English, English |
Detected Language | English |
Type | Thesis |
Format | application/pdf |
Rights | Available to the World Wide Web |
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