Antoine Reicha stands as an important figure in the growing systematization of musical form. While Traite de melodie (1814) captures the essence of eighteenth-century concern with tonal movement and periodicity, Reicha's later ideas as represented in Traite de haute composition musicale (1824-26) anticipate descriptions of thematic organization characteristic of his nineteenth-century successors. Three important topics emerge as crucial elements: melody, thematic development, and schematic categorization of complete pieces.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc330751 |
| Date | 12 1900 |
| Creators | McCachren, Jo Renee |
| Contributors | Rivera, Benito V., 1936-, Brothers, Lester Dwayne, 1945-, Cho, Gene J. |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | ix, 245 leaves: music, Text |
| Rights | Public, McCachren, Jo Renee, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved. |
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