This project is a cultural study of bicycles and the politics that inform the everyday practice of cycling. Through a close examination of media, rhetoric, and protest, I focus my attention on groups of people who believe that bicycles are not merely forms of transportation, rather, they are instruments of communication, sources of identity, vehicles for pleasure, and tools for technological, cultural, and political critique. This 'counterculture' is comprised of feminists, socialists, punks, anti-globalization activists, writers, environmentalists, and others who have created and developed a politics of cycling through a dialectic of communication and action. Through this dialectical process, these cyclists have not only created an important body of knowledge that speaks to issues of gender, class, culture, technology, and ideology, they also demonstrate both how these issues are interrelated and how people can actively negotiate and contest their meanings. As such, they reveal the capacity for others to effectively utilize grassroots organization, alternative media production, and non-violent direct action as a means to initiate political mobilization and positive change in an era of corporatization, globalization, and widespread cynicism. More than anything, they remind us that revolution can, and must, begin in our everyday lives.
| Identifer | oai:union.ndltd.org:PITT/oai:PITTETD:etd-12052005-210916 |
| Date | 30 March 2006 |
| Creators | Furness, Zachary Mooradian |
| Contributors | Jonathan Sterne, Andrew Weintraub, Carol Stabile, Gordon Mitchell |
| Publisher | University of Pittsburgh |
| Source Sets | University of Pittsburgh |
| Language | English |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | http://etd.library.pitt.edu/ETD/available/etd-12052005-210916/ |
| Rights | unrestricted, I hereby certify that, if appropriate, I have obtained and attached hereto a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to University of Pittsburgh or its agents the non-exclusive license to archive and make accessible, under the conditions specified below, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report. |
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