The general purpose of this paper is the discussion of the interpretation and performance of rhythm within the context of Paul Creston's five rhythmic structures. Specific objectives are to bring to light Creston's unique rhythmic terminology, theories, and structures; and to interpret rhythm at the piano with an emphasis on accent, pedaling, articulation, balance of textures, and pace.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc332479 |
| Date | 08 1900 |
| Creators | Leone, Carol (Carol S.) |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | vii, 82 leaves : music, Text |
| Rights | Public, Leone, Carol (Carol S.), Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved. |
| Relation | Recital: December 1, 1986, ark:/67531/metadc917345 |
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