This Master thesis deals with symbolic objects appearing in the Bronze Age Aegean art in the 3rd and especially the 2nd millennium BCE. Recurrent types of scenes and motifs speak for the fact that there must have existed a complex iconographic system of Minoan and Mycenaean art. An analytical method aiming at single elements of composite scenes may bring us closer to better understanding of this system and to its more objective interpretation. The study, therefore, focuses on the iconography of each individual symbol and also discusses its possible parallels in art of the neighbouring Bronze Age cultures. Nonetheless, the Aegean iconographic system was not strictly codified throughout the entire Bronze Age and some of the themes evolved or were specific only for certain eras. For that reason, the studied material is treated in a diachronic approach so as to stress the iconographic evolution of the symbols' use. The aim is to provide a profound analysis of the rules applied to the symbols in Minoan and Mycenaean art, to investigate their possible origins, and finally to examine their mutual interconnections.
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:436570 |
| Date | January 2020 |
| Creators | Matoušková, Monika |
| Contributors | Pavúk, Peter, Blakolmer, Fritz |
| Source Sets | Czech ETDs |
| Language | English |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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