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Att ställa till en scen : Verbala konflikter i svensk dramadialog 1725–2000 / Making a scene : Verbal conflicts in Swedish drama dialogue 1725–2000

<p>This thesis deals with interactional patterns in verbal disputes as portrayed in the written dialogue of Swedish drama over three centuries. The overarching aim is to contribute to research into conflict talk in Swedish dialogue, but also to contribute to historical pragmatics and linguistic stylistics.</p><p>The teoretical and methodological framework combines elements from conversation analysis and theories of communicative events (activity types). A corpus of 30 drama texts, written during the 18<sup>th</sup> century, the late 19<sup>th</sup> century, and the late 20<sup>th</sup> century, was examined for examples of conflict events that are lexically marked as such in the texts (by words such as <i>argument</i>, <i>dispute</i>, <i>quarrel</i> etc.). </p><p>A total of 47 conflict events were identified in 21 of the 30 drama texts. The construction of the beginning of the three most significant types of conflict sequences found within 45 of the 47 events, totalling 111 sequences, is analysed in detail. The three sequence types concern differences in opinion (disagreement sequences), accusations (complaint sequences) and directives (rejection sequences).</p><p>One result of the study is that complaint sequences are shown to be by far the most common conflict pattern in the data. Another result is that few differences are found regarding the construction of the sequences over three centuries. For the most part, it is the same sort of moves that are frequent no matter which period the data stem from. One conclusion is therefore that the conflict patterns in drama dialogue appear to be relatively stable over time.</p><p>The study also deals with the dramatic functions of the conflict patterns (the events, sequence types or moves). Two functions are discussed, namely plot development and characterisation. While all conflict can further the process of characterisation, for example by showing the negotiation of differences in power between the characters, less than half of the events further the plot by having an effect on the disputants or other characters in the drama.</p>

Identiferoai:union.ndltd.org:UPSALLA/oai:DiVA.org:uu-8422
Date January 2008
CreatorsSörlin, Marie
PublisherUppsala University, Department of Scandinavian Languages, Uppsala : Swedish Science Press
Source SetsDiVA Archive at Upsalla University
LanguageSwedish
Detected LanguageEnglish
TypeDoctoral thesis, monograph, text
RelationSkrifter utgivna av Institutionen för nordiska språk vid Uppsala universitet, 0083-4661 ; 73

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