Contemporary Hip-Hop scholarship has revealed that Hip-Hop is a racially diverse, youth-driven culture, that is intimately connected to prior as well as on-going social justice movements (Chang, 2004; Kitwana, 2002). This study explores its Afro-Diasporic and activist origins, as well as the impact of Hip-Hop culture on the identity development of educators belonging to the Hip-Hop generation(s). This qualitative study also examines how Hip-Hop culture impacts educators' identity politics and personal pedagogy, while seeking to create a new model of Social Justice Hip-Hop Pedagogy. This study was produced through twenty-three in-depth interviews with influential Hip-Hop educators or “elites” (Thomas, 1993; Aberbach & Rockman, 2002; Becker & Meyers, 1974; Zuckerman, 1974) from diverse backgrounds and geographic locations. There are currently limited theoretical and conceptual frameworks in the literature supporting the use of Hip-Hop as Social Justice Pedagogy, yet is currently being used in K-16 educational contexts throughout the United States and abroad (Duncan-Andrade & Morrell, 2008). The results of this study reveal the foundational basis consisting of four primary functions and seven practical tenets, necessary to negotiate and implement a new and innovative model for Social Justice Hip-Hop Pedagogy.
| Identifer | oai:union.ndltd.org:UMASS/oai:scholarworks.umass.edu:dissertations-6186 |
| Date | 01 January 2011 |
| Creators | Runell Hall, Marcella |
| Publisher | ScholarWorks@UMass Amherst |
| Source Sets | University of Massachusetts, Amherst |
| Language | English |
| Detected Language | English |
| Type | text |
| Source | Doctoral Dissertations Available from Proquest |
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