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Rhythmic maximal evenness: rhythm in voice-leading space

Maximal evenness was first introduced in the music theory domain by John Clough and Jack Douthett. Later, the concept was explored by others such as Dmitri Tymoczko and Richard Cohn. Although maximal evenness was first explored with respect to pitch-classes, the concept can be understood in the rhythmic domain. An explanation of voice-leading space can be found here to create a conceptual foundation before departing to the implications of maximal evenness on rhythm. This thesis will then explore the concept further by exploring music from Steve Reich and György Ligeti to demonstrate the applicability and deeper understanding of the concept.

Identiferoai:union.ndltd.org:bu.edu/oai:open.bu.edu:2144/36041
Date04 June 2019
CreatorsBenoit, Hannah
ContributorsYust, Jason
Source SetsBoston University
Languageen_US
Detected LanguageEnglish
TypeThesis/Dissertation
RightsAttribution 4.0 International, http://creativecommons.org/licenses/by/4.0/

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