Opticality and tactility in selected South African still-life painting

Description

A dissertation submitted to the Faculty of Arts, University of the Witwatersrand, Johannesburg, in partial fulfilment of the requirements for the degree of Master of Arts in fine Arts
Johannesburg 1992 / This research examines some ways in which source material is interpreted in still life painting.
These interpretations will be explored from two positions in painting.
For my purposes, these positions will be termed opticality and
tactility. [Abbreviated Abstract. Open document to view full version][ / MT2017

Links & Downloads

1. Farber, Leora Naomi (1992) Opticality and tactility in selected South African still-life painting, University of the Witwatersrand, Johannesburg,<http://hdl.handle.net/10539/23004>
2. http://hdl.handle.net/10539/23004

Tags

Still-life painting, South African

Additional Fields

Identifer	oai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:wits/oai:wiredspace.wits.ac.za:10539/23004
Date	January 1992
Creators	Farber, Leora Naomi
Source Sets	South African National ETD Portal
Language	English
Detected Language	English
Type	Thesis
Format	Online resource (147 leaves), application/pdf