This thesis explores the atmospheric sequences within a steel museum located in the South Side Works of Pittsburgh, Pennsylvania. The South Side Works, once a historic steel production area, is now undergoing renewal and redevelopment, yet it still retains traces of its industrial past.
The exploration begins by examining the pre-union steel production space, characterized by hazardous conditions, limited natural lighting, and uncomfortable indoor temperatures. Visitors are transported to the 19th-century factory workers' world, experiencing the dim light from above, sweltering heat, dirt on the ground, and the large scale of the production space. This atmosphere contrasts with the post-union era, marked by enhanced natural light, modern steel construction, and a connection to the outdoors. The shift signifies increased attention to workers' rights and well-being, moving from dehumanization to humanization, symbolized by the "Union Hall" where workers advocated for their rights.The "Union Hall", which is the turning point of the journey, serves as a symbol of empowerment and progress for steelworkers.Technological advancements have further improved the working environment, making the production process more standardized and automated.
This thesis aims to narrate the story through the qualities of spaces—scale, steel construction, materials, and light—by utilizing architecture study methods including modeling, sketches, lighting studies, and architectural drawings. By showcasing two contrasting spaces, it explores how the sequence of space, along with materials, light, and scale, shapes the architectural spaces and atmosphere within the museum, reflecting the evolution from furnace to fairness. / Master of Architecture / This thesis explores the atmospheric sequences within a steel museum located in the South Side Works of Pittsburgh, Pennsylvania. The South Side Works, once a historic steel production area, is now undergoing renewal and redevelopment, yet it still retains traces of its industrial past.
The exploration begins by examining the pre-union steel production space, characterized by hazardous conditions, limited natural lighting, and uncomfortable indoor temperatures. This atmosphere contrasts with the post-union era, marked by enhanced natural light, modern steel construction, and a connection to the outdoors. The shift signifies increased attention to workers' rights and well-being, moving from dehumanization to humanization, symbolized by the "Union Hall" where workers advocated for their rights.The "Union Hall", which is the turning point of the journey, serves as a symbol of empowerment and progress for steelworkers.
This thesis aims to narrate the story through the qualities of spaces—scale, steel construction, materials, and light—by utilizing architecture study methods including modeling, sketches, lighting studies, and architectural drawings.
| Identifer | oai:union.ndltd.org:VTETD/oai:vtechworks.lib.vt.edu:10919/119475 |
| Date | 18 June 2024 |
| Creators | Sang, Wenhui |
| Contributors | Architecture, Jones, James R., Jones, Kevin William, Washco, Kristin Nicole |
| Publisher | Virginia Tech |
| Source Sets | Virginia Tech Theses and Dissertation |
| Language | English |
| Detected Language | English |
| Type | Thesis |
| Format | ETD, application/pdf |
| Rights | In Copyright, http://rightsstatements.org/vocab/InC/1.0/ |
Page generated in 0.0138 seconds