The aim of this study is to examine ways of writing experiences of the strange and different, experiences of the other in his or her otherness and experiences of suffering. The study focuses possibilities and limits for the writing of these experiences and aims at finding a tangible way of writing literature. Part of the aim of this study is to elaborate a proposal for a way of writing experiences of the strange and different, experiences of the other in his or her otherness and experiences of suffering. The material for the study consists of three different approaches to literature, in which theories on literature or analyses of literary works are presented. This material is initially analysed in separate analyses in which conceptions, strategies and methods for writing experiences of the strange and different, the other and suffering are identified. Secondly, the material is analysed in a comparative analysis, aimed at finding similarities and differences between the approaches but above all to let the approaches supplement and challenge each other. The second part of the study consists of the elaboration of a proposal for a way of writing based on the result of the first analyses. The result of the study is a way of writing in which the limitations and inabilities of literature are used as critical and creative resources. These limitations and inabilities consists of the violence of the literary naming and designation, and the boundaries between identities that render a complete insight in the experiences of someone else impossible. With these limitations and inabilities as a starting point, conceptions, strategies and methods for writing literature are distinguished and developed. A movement between nearness and distance both in content and form is identified as a fruitful way of writing that can mediate experiences and avoid to arrange what is strange and unfamiliar in these experiences into the familiar, as well as and openness for a manifoldness of possibilities. As distinct way of writing is distinguished in the metaphor, a literary device in which the movement between nearness and distance is made concrete. In the elaboration of a proposal for a way of writing these conceptions, strategies and methods provided the framework for a way of writing which doesn’t reduce experiences or close the literary text for a multitude of possibilities.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:uu-241685 |
| Date | January 2014 |
| Creators | Samuelsson, Cecilia |
| Publisher | Uppsala universitet, Teologiska institutionen |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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