abstract: As with many concertante, Fantasy focuses on the interplay between the soloist and the orchestra. Contrast is a fundamental principle for creating the formal design of the composition. Adjacent sections are related to one another by the contrast of any or all of the following: register, timbre, and texture. Fantasy derives inspiration from the musical languages of Stravinsky, Prokofiev, Shostakovich, Moravec, and Debussy. / Dissertation/Thesis / Doctoral Dissertation Music 2018
| Identifer | oai:union.ndltd.org:asu.edu/item:51731 |
| Date | January 2018 |
| Contributors | Kemp, Tyler (Author), Rockmaker, Jody (Advisor), DeMars, James (Committee member), Rogers, Rodney (Committee member), Arizona State University (Publisher) |
| Source Sets | Arizona State University |
| Language | English |
| Detected Language | English |
| Type | Doctoral Dissertation |
| Format | 100 pages |
| Rights | http://rightsstatements.org/vocab/InC/1.0/ |
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