Wong Hiu Lam. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2006. / Includes bibliographical references (leaves 104-109). / Abstracts in English and Chinese. / Abstract --- p.iv / Abstract (Chinese Translation) --- p.v / Acknowledgements --- p.vi / Chapter Chapter 1 --- Introduction --- p.1 / Overview of Bartok's six quartets --- p.1 / Literature review --- p.4 / Objectives --- p.9 / Chapter Chapter 2 --- "Karpati, Antokoletz and Wilson's Analytical Approaches" --- p.11 / Karpati's idea of mistiming --- p.11 / Antokoletz's interval cycle and interval ratio --- p.13 / Wilson's interest in structural hierarchy --- p.18 / Chapter Chapter 3 --- "The Fifth Quartet, First and Fifth Movements" --- p.23 / "The Fifth Quartet, first movement" --- p.24 / Form --- p.24 / Pitch centres --- p.26 / Fourths --- p.28 / "The Fifth Quartet, fifth movement" --- p.35 / Form --- p.35 / Pitch centres --- p.37 / Fourths --- p.37 / Symmetries --- p.41 / Chapter Chapter 4 --- "The Fifth Quartet, Second and Fourth Movements" --- p.45 / Bartok's analysis of the Fifth Quartet --- p.45 / Other analyses --- p.46 / Bartok's formal analysis of the second and fourth movements --- p.47 / An extended introduction --- p.48 / Similarities between the second and fourth movements --- p.49 / Prominent intervals and pc sets --- p.49 / Instrumental sequence --- p.53 / Juxtaposition and superimposition of(0123)s and (0167)s --- p.53 / Juxtaposition and superimposition: melody and chordal accompaniment --- p.54 / Thematic kinship --- p.55 / Texture --- p.57 / Chapter Chapter 5 --- "Figuring Thirds in the Fifth Quartet, Third Movement" --- p.59 / Formal structure of the whole quartet and the third movement --- p.59 / Motive a and third-structure --- p.60 / "Definition of ""third-structure""" --- p.61 / Arch-shaped melodies formed by thirds --- p.61 / Third-structures and the diatonic collection --- p.62 / Third-structures and the octatonic collection --- p.62 / Third-structures and the chromatic collection --- p.67 / Referential collections and formal structure --- p.67 / Chapter Chapter 6 --- "The Sixth Quartet, First and Fourth Movements" --- p.69 / Existing Literature --- p.69 / Formal structure --- p.71 / Mesto themes of the two movements --- p.73 / An unusual finale --- p.75 / Fourths --- p.79 / Chapter Chapter 7 --- "Duality in the Sixth Quartet, Second Movement" --- p.84 / Karpati and dual thirds --- p.87 / Dual centres B and G# --- p.88 / (0347)s --- p.90 / Relationship between duality and form --- p.92 / Chapter Chapter 8 --- "The Sixth Quartet, Third Movement" --- p.94 / Chapter Chapter 9 --- Conclusion --- p.100 / Selected Bibliography --- p.104
| Identifer | oai:union.ndltd.org:cuhk.edu.hk/oai:cuhk-dr:cuhk_325547 |
| Date | January 2006 |
| Contributors | Wong, Hiu Lam., Chinese University of Hong Kong Graduate School. Division of Music. |
| Source Sets | The Chinese University of Hong Kong |
| Language | English, Chinese |
| Detected Language | English |
| Type | Text, bibliography |
| Format | print, vi, 109 leaves : ill., music ; 30 cm. |
| Rights | Use of this resource is governed by the terms and conditions of the Creative Commons “Attribution-NonCommercial-NoDerivatives 4.0 International” License (http://creativecommons.org/licenses/by-nc-nd/4.0/) |
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