This diploma thesis follows the personality and art of a Russian painter from the turn of the 19th and 20th centuries, Michail Vrubel. It analyzes the artist as unconventional appearance in the so called Silver Age of the Russian art, a pionier of modernism not only in terms of developing the style but also the inovative technique he used, abandoning the tradition and traditionalist paintings. The first part of thesis focused on the main biography of Michail Vrubel and the view of his art, devided into three periods, as well as the main milestones that influenced him. Next the focus moves to the overview of Russia at the end of 19th and beginning of 20th centuries, the ,,Silver Age", with special attention to symbolism, with which Michail Vrube lis often associated, even though he does not fit the symbolist characteristics completely. In the following part, the focus shifts to the innovative painting style of the artist and his trademark reduction of forms, best seen in two of his prominent pieces - Seated Demon and Fallen Demon. The final part lists the artist's contribution to the world of art and his influence on the following generations. The goal of this thesis is not to criticize the work of Michail Vrubel. Rather, it enables the views of his personality and art through the eyes of his...
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:388097 |
| Date | January 2018 |
| Creators | Brathova, Silvia |
| Contributors | Alt, Jaroslav, Hájek, Václav |
| Source Sets | Czech ETDs |
| Language | Slovak |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
Page generated in 0.0016 seconds