In the nineteenth century, Tchaikovsky was an important, representative composer in Russia and succeeds the prior previous musical development of Russia. Back then, I think this what was mean type of works were quite fundamental. In 1876, he had written the cello piece, ¡§Variation on a Theme Rococo,¡¨ and dedicated to a cellist, Fitzenhagen. Fitzenhagen changed the sequence for the variations, deleted and rewrote some segments. As a result, it made the version different from the one that was composed by Tchaikovsky. The version edited by Fitzenhagen was published, and it has been played until now.
This lecture-recital document contains the following two main sections. First, it describes the biographical information about Tchaikovsky, his works accompanied by orchestra, and the friendship between Tchaikovsky and Fitzenhaen. The second part, compares the changes in the sequence of the variations between Fitzenhagen version and Tchaikovsky¡¦s Original version that examines the terminology, the role and the decoration of the bridge section ,and it offers some ways for practicing skills for Fitzenhagen¡¦s version.
| Identifer | oai:union.ndltd.org:NSYSU/oai:NSYSU:etd-0214108-114311 |
| Date | 14 February 2008 |
| Creators | Lee, Ying-ying |
| Contributors | none, Min-yuan Lin, none |
| Publisher | NSYSU |
| Source Sets | NSYSU Electronic Thesis and Dissertation Archive |
| Language | Cholon |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0214108-114311 |
| Rights | campus_withheld, Copyright information available at source archive |
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