This dissertation deals with authorship approaches of composers of the 20th and 21st centuries, who decided to settle their thinking on the organization of tonal material by using microintervals as a functional tonal material. My intention was to look at this topic from a composer's point of view, not from a scientific point of view. I perceived this view is creating a very important dimension for a certain type of composition that allows the composers to use the elements in terms of a structural unit. Consequently, the composition process becomes a very lively unit that the composer grabs. My dissertation thesis describes the exposition of my own insight into the actual reality in correspondence with the historical context.
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:391638 |
| Date | January 2018 |
| Creators | Chudovský, Daniel |
| Contributors | KURZ, Ivan, BARTOŇ, Hanuš |
| Publisher | Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/doctoralThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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