This study is a critical inquiry into the changes of the conceptualisations of the term &ldquo / program&rdquo / in architectural discourse, particularly after the 1960s and early 1970s. The aim of this thesis is to benefit from the difficulty of defining &ldquo / program&rdquo / in architecture as a fruitful, pragmatic and intellectual source. Although several terms, such as &ldquo / function,&rdquo / &ldquo / use,&rdquo / &ldquo / occupation,&rdquo / &ldquo / activity,&rdquo / and &ldquo / event&rdquo / fulfil some aspects, none of them suggest an exact definition of the term &ldquo / program&rdquo / in architecture. Neither does the introduction of the existence of the terms &ldquo / temporary activities,&rdquo / &ldquo / spontaneity,&rdquo / &ldquo / coincidence,&rdquo / &ldquo / hybridisation,&rdquo / and &ldquo / interface spaces,&rdquo / which consider the emergence of &ldquo / temporality&rdquo / as a more considerable variable in contemporary architecture, provides an adequate definition for the term. Therefore, in this research &ldquo / program&rdquo / in architecture is problematized as a &ldquo / weakly&rdquo / defined phenomenon.

This study introduces the idea of &ldquo / programmatic experimentation&rdquo / by exploring and re-reading the work of Gordon Matta-Clark, in which &ldquo / experimentation&rdquo / led to the evaluation of &ldquo / program&rdquo / as &ldquo / concept.&rdquo / &ldquo / Program&rdquo / is re-conceptualised under two theoretical statements defining the general framework of this study: &ldquo / Concept&rdquo / and &ldquo / Experimentation&rdquo / . &ldquo / Concept,&rdquo / as introduced by the French philosopher Gilles Deleuze, produces a direction towards thinking to allow a new understanding by constructing multiple situations rather than constricting program&rsquo / s definition with specific terms. &ldquo / Experimentation&rdquo / suggests that the consequences of the experimental attempts of the 1960s and early 1970s are more than just technological possibilities inserted into architecture, revealing a shift in architectural &ldquo / program.&rdquo / In the end, the implementation of the constructed togetherness of the two terms is traced through the work of Matta-Clark as a radical criticism of the established conventions of architectural discourse.

Identiferoai:union.ndltd.org:METU/oai:etd.lib.metu.edu.tr:http://etd.lib.metu.edu.tr/upload/12609608/index.pdf
Date01 July 2008
CreatorsBeslioglu, Bahar
ContributorsSavas, Aysen
PublisherMETU
Source SetsMiddle East Technical Univ.
LanguageEnglish
Detected LanguageEnglish
TypePh.D. Thesis
Formattext/pdf
RightsTo liberate the content for public access

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