Return to search

Umělé světlo v umění / Artificial Light in Art

In my dissertation I focus on light and spatial situations rooted in a dialogue between an empty space and artificial light. These environments are so charged in terms of perception that their experience affects the processes in the viewer's consciousness. First, there are usually the feelings of increased instability and disorientation. These factors were first explored in depth by the Californian artists James Turrell and Robert Irwin in the mid-1960s, in response to psychological and neurological scientific experiments in the field of sensory deprivation. Turrell's and Irwin's progressive approach found a host of followers. In Europe, it was developed, in particular, by the contemporary artists Olafur Eliasson and Ann Veronica Janssens, in the Czech milieu by Pavel Korbička. Korbička's interest in the potential of space and its definition by artificial light constitutes a key material in my dissertation for the explanation of the links between light and spatial works and the processes regarding the viewer's perception. Inside light and spatial works, the limits of the viewer's body dissolve; at the same time, the natural dependence of human orientation on allocentric representation (i.e. on the relationship between the subject and the surrounding landmarks) is stimulated, to the extent that the...

Identiferoai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:415365
Date January 2020
CreatorsVíchová, Ilona
ContributorsRakušanová, Marie, Wittlich, Petr, Petříček, Miroslav
Source SetsCzech ETDs
LanguageCzech
Detected LanguageEnglish
Typeinfo:eu-repo/semantics/doctoralThesis
Rightsinfo:eu-repo/semantics/restrictedAccess

Page generated in 0.0017 seconds