The question of the existence of the right art has been solved by many theorists and artists themselves. The first half of the twentieth century was affected by the coming world wars, Nazism and socialism. The establishment of avant-garde was associated with it and new movements tried to confront such society. Along with avant-garde artistic critics appeared, those who more or less influenced artists themselves. Theories of Friedrich Nietzsche, Theodor Adorno, Jean Francois Lyotard, Clement Greenberg and Leo Steinberg are different, but are also consistent with the fundamental thing. That is the desire for a change and accuracy of art. The first two authors think that the right art was already there, but it was destroyed. Others are looking into present and future. In the shadow of modern technologies they try to find something that will be unique and original. These thoughts come to the imagination of unrepresent-able things and abstraction. Abstract Expressionism is a movement, which was originally established in the thirties in the USA. Along with it, the art center moved from Paris to New York. Abstract Expressionists were divided into two groups. One of them, artists such as Jackson Pollock and Willem de Kooning, has been called action painters. The second group, in which Barnett Newman and...
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:333053 |
| Date | January 2014 |
| Creators | Váňová, Veronika |
| Contributors | Veselská, Jindra, Paulíček, Miroslav |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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