This essay describes part of the process behind the exhibition Almost through the theory of a whole. This includes a short historical background of the subject matter (The hollow earth theory) and certain theoretical frameworks and perspectives that has been used in the process. These theories include Michel Serres theory of noise and C. G. Jungs theory of synchronicity. Further the essay looks at conspiracy theory, artifitial intelligence and art making thorugh these theories.
Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:konstfack-8470 |
Date | January 2022 |
Creators | Berglund, Karl-Erik Birt |
Publisher | Konstfack, Institutionen för Konst (K) |
Source Sets | DiVA Archive at Upsalla University |
Language | English |
Detected Language | English |
Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
Format | application/pdf |
Rights | info:eu-repo/semantics/openAccess |
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