Includes bibliographical references. / The aim of this enquiry is to deepen the understanding of the author's practice as theatre designer, scenographer and visual dramaturge in a postdramatic milieu. This study creates a theoretical frame for a research-led performance that is especially dependent on the release of 'active energies of imagination' (Lehmann, 2006:16). The performance will take the form of a scenographic event,which does not depend on 'the principles of narration and figuration' (Lehmann, 2006:18). Instead it relies on a 'visual dramaturgy ' in which just as in front of a painting, activates the dynamic capacity of the gaze to produce processes, combinations and rhythms on the basis of the data provided by the stage' (Lehmann, 2006:157). The study proposes that the release of 'active energies of imagination' (2006:16) extends beyond the space of the live event, tracking its origin to the interaction between the designer and the materials of her art.
| Identifer | oai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:uct/oai:localhost:11427/11200 |
| Date | January 2013 |
| Creators | Louw, Illka |
| Publisher | University of Cape Town, Faculty of Humanities, Department of Drama |
| Source Sets | South African National ETD Portal |
| Language | English |
| Detected Language | English |
| Type | Master Thesis, Masters, MA |
| Format | application/pdf |
Page generated in 0.0018 seconds