The intent of this dissertation is to investigate Michael Tippett's eclectic approach to the sonata form in the twentieth century as demonstrated in his Sonata No. 1. Topics of discussion include historical background of English music, particularly the English piano sonata, at the turn of the century (chapter 1), biographical information and a general overview of Tippett's music (chapter 2), a brief examination of Tippett's Sonata Nos. 2, 3, and 4 (chapter 3) and a formal analysis of Sonata No. 1 as well as Tippett's approach to contrapuntal techniques, rhythm, harmony and tonality (chapter 4). In addition to the lecture recital given on February 1, 1999, three others were given: the first recital, on April 3, 1995, contained works by Beethoven, J.S. Bach/Busoni, and Bartok: the second recital, on February 5, 1996, included works by Schumann, Mozart, and Ginastera: and the third recital, on January 2, 1998, featured works by Barber and Chopin.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc935637 |
| Date | 05 1900 |
| Creators | Kwak, Stacy (Stacy Joo Yeon) |
| Contributors | Paul, Pamela Mia, Groom, Joán Charlene, 1941-, Kern, Robert Fred, 1944-, Beck, Maria-Luise |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | vi, 76 leaves : music, Text |
| Rights | Public, Kwak, Stacy (Stacy Joo Yeon), Copyright, Copyright is held by the author, unless otherwise noted. All rights |
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