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A Historical Survey of Woodwind Doubling and A Form/Style Analysis of Four Works for Doubler and Wind Ensemble, a Lecture Recital together with Three Recitals of Selected Works by W.A. Mozart. A. Glazounov. P. Tate. A. Szalowski. A. Copland and Others

Four works are selected to demonstrate the stature and demands of this craft and to represent a pinnacle in the art of contemporary woodwind doubling. Concerto for Doubles, by Thomas Filas, Concerto Tri-Chroma. by Michael Kibbe, Rhapsody Nova, by Clare Fischer and Suite for Solo Flute. Clarinet and Alto Saxophone by Claude Smith all represent rare, major solo works written specifically for three individual woodwind doublers. The paper will begin with a history of the practice of woodwind doubling from the fifteenth century to the present. The four works will then be examined by considering form, style and related performance practices.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc278544
Date05 1900
CreatorsThompson, Phil A.
ContributorsGillespie, James E. (James Ernest), 1940-, Cho, Gene J., Clardy, Mary Karen, Crowder, Robert D.
PublisherUniversity of North Texas
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Formatxi, 51 leaves: music, Text
RightsPublic, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved., Thompson, Phil A.
RelationRecital: April 6, 1987, ark:/67531/metadc984022, Recital: November 26, 1986, ark:/67531/metadc917323

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