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Skladby pro zpěv s doprovodem komorních formací s klarinetem / Compositions for Singing with Accompaniment of Chamber Formations with the Clarinet

This thesis deals with using general methodical principles while teaching to play the clarinet and to sing particular compositions – the song cycle by Louis Spohr “Sechs deustsche Lieder fur eine Singstimme, Klarinette und Klavier op. 103“ and the song by Franz Schubert “Der Hirt auf dem Felsen D (965)“.
The work is divided into five chapters. The first chapter briefly mentions the historical background of birth of the compositions with a special regard to the changes in the musical life in the 19th century and the personal lives of both composers.
The second chapter, Personality of the performer, observes important aspects which no performer should ever forget about while studying a chamber piece of work, such as mental preparation, the issue of memory, but also the right choice of repertoire with respect to the characteristics of the soprano voice, for which both compositions were written. Other aspects include posture on the stage, breath support, intonation, sound consistence and making use of all the aspects while performing the song by F. Schubert as well as the song cycle by L. Spohr.
Other two chapters are dedicated to both compositions, the third being focused on L. Spohr´s “Sechs deustsche Lieder fur eine Singstimme, Klarinette und Klavier op. 103“ and the fourth focusing on Franz Schubert´s “Der Hirt auf dem Felsen D (965)“. The circumstan-ces of birth of both compositions are described, loose translation of the texts is provided as well as performer´s experience with the particular songs.
The last (fifth) chapter, Historical faithfulness of interpretation, is a short contemplation over the fact to what extent a performer is able to depict the original idea of the author by means of contemporary technical possibilities.
The thesis describes personal opinions, experience, feelings and problems which its writer encountered while studying the clarinet and singing parts of the compositions.

Identiferoai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:253688
Date January 2016
CreatorsTauchmanová, Hana
ContributorsHLAVÁČ, Jiří, MAREŠ, Vlastimil
PublisherAkademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna
Source SetsCzech ETDs
LanguageCzech
Detected LanguageEnglish
Typeinfo:eu-repo/semantics/masterThesis
Rightsinfo:eu-repo/semantics/restrictedAccess

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