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An Analysis of Arnold Schoenberg's Suite for Piano, Op. 25

It now seems necessary to follow the further development of Schoenberg and his first pupils, Berg and Webern. "Starting from their twin conceptions of the dethronement of tonality and the free use of the former 'discords', they produced a series of pieces of which the foremost characteristics were their extreme expressiveness and their extraordinary brevity."

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc663369
Date08 1900
CreatorsMayhew, Thomas E. (Thomas Elmo)
ContributorsStevens, Willis A., Bardas, Stefan
PublisherNorth Texas State University
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Formatv, 51 leaves : illustrations, Text
RightsPublic, Mayhew, Thomas E. (Thomas Elmo), Copyright, Copyright is held by the author, unless otherwise noted. All rights

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