In this study, the Anton Webern's music is considered in two groups: that which was written before Webern adopted the twelve-tone technique, Opp 1-16, and that written in the twelve-tone technique, Opp. 17-31. This division is not intended to represent an attempt at periodization of Webern's music, for the changes of style in Op. 17 are not that significant. But the fact that Webern employed the twelve-tone technique in all the works he wrote after Op. 16 makes this a natural point of division for a study of this sort. Besides the music of Webern, two peripheral areas are included in this study. No attempt has been made at an exhaustive biography of Webern, but facts relative to his life, and impressions about the person are presented. Also, to create a proper perspective for the study of Webern's which existed during the time that Webern lived and composed, is presented.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc935831 |
| Date | 05 1900 |
| Creators | McKenzie, Wallace Chessley |
| Contributors | Morey, George, 1915-1995, Hibberd, Lloyd, Hewitt, Helen, 1900-1977 |
| Publisher | North Texas State College |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | xiii, 492 leaves : music, Text |
| Rights | Public, McKenzie, Wallace Chessley, Copyright, Copyright is held by the author, unless otherwise noted. All rights |
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